The chapter “Queer Kinship and the Quandaries of Domestic Affection” from Juana Maria Rodriquez’ forthcoming book “Sexual Subject, Queer Gestures” identifies and discusses issues dealing with the notion of parenting and adoption. She especially looks at the implications of what it means to be a parent. By this I don’t mean the emotional value, etc. but rather the idea that as a parent, you have ownership over another body. The section in which Rodriquez writes about Patricia Williams’ essay “Spare Parts, Family Value, Old Children, Cheap,” Williams writes:
“And if older African American boys are seen as “second quality” children within this system, queer households are seen as “second quality” parents even as they are sometimes deemed preferable to single black female-headed households that are similarly pathologized. This trauma of having a “free market” deem the value of both adoptive parents and their children, of not being afforded the social status of “real” biological kinship but indeed the only available approximation bought through the crassness of economic exchange, functions in discourses of adoption even in the absence of racial difference,” (page 15).
And I find myself agreeing with her adamantly. I don’t know a lot about the adoption process, but I have always heard that white babies are the most expensive and “desirable” on the “market.” If you think about it, or at least when I think about it, most depictions in popular culture of teen girls who give up their babies are white girls, and the child is readily adopted. I can’t think of a single black teenage mother who is encouraged to give up her child for adoption, let alone the baby getting adopted easily.
One obvious example of this is in the film Juno. I’m sure many of you have seen it and have an idea what happens in it, but if not, here’s a 2.5 minute trailer that gives you a basic idea of the plot.
The adoptive family is your “all-American” middle class white family, a woman and a man. SPOILER ALERT! In the end, the woman ends up adopting Juno’s baby alone, as the man is not ready for a child. But this film, despite highlighting the anxieties of many of its characters surrounding the birth of a child and their lives outside of that, shows that it’s easy for a white baby to get adopted and similarly, it’s easy for a white heterosexual family to adopt.
Another part of Rodriquez’ chapter that struck me was the part about Charis Thompson’s adoption experience:
“Haunted by histories of slavery in which human beings were exchanged for money, property and cattle, Williams finds herself faced with the reality of having to pay for the young black male body she will bring into her home. Furthermore she is confronted with a fee structure for her newly adopted son that marks him as “special” because he fits into the category of children that are “less requested,” in other words children that are older, black and/or handicapped,” (page 14).
This just goes along with my commentary about the “desirability” of white bodies vs. bodies of color in the adoption system. I don’t know any statistics about the ethnicity of adopting families, but I think it would be interesting to see how many white heterosexual couples apply for adoption vs. couples of color and/or gay, lesbian and/or trans couples, how many get accepted from each category and what ethnicity they request for a child.
As for how domesticity is queered, Rodriquez looks at Kath Weston’s book “Families We Choose,” in which she writes:
“Adoption, when it is recognized however, in fact undoes the easy binary of “biological family/chosen family” that Weston sets up in her book (40), potentially queering even those families marked as heterosexual. Of course, neither adoption nor any other form (or rejection) of kinship is inherently subversive, instead how families are created, imagined and perceived reveals the process through which social meaning is assigned to various forms of intimacies,” (page 11).
So in a way adoption is a way that domesticity is queered in society, because we don’t look at an adoptive family as a “real” family because they people in it are not connected by blood.
For me, the most provocative portion of the class was actually this chaper from Rodriquez, especially when she talks about NAMBLA and “Doing It For Daddy.” The latter discussion in the article as well as the one we had with Rodriquez in class made me very uncomfortable, but I think that’s a good thing because it forced me to think about something in a very different way than I normally would and provided a lot of insight into my own personal interest in sex and psychology. I found it most interesting that abuse survivors often find solace in BDSM communities/“Daddy” practices. Now it makes perfect sense to me and I feel like I have a greater understanding of some human sexuality practices now.
My favorite part of the class was watching “Delinquent,” I loved it. Our discussion about the film was also very stimulating and I appreciated the fact that what I didn’t get out of the film, others did and vice versa. As for what I would add, I would maybe try to add more media elements, just because those are what I found the most interesting.
Lastly, I really appreciated all of my classmates and what we learned from one another. That is the most productive type of class in my opinion, one in which there are a lot of people from different backgrounds and interests who come together and all teach each other something. So, thank you ladies! =)






